Showing posts with label Sullivan's War. Show all posts
Showing posts with label Sullivan's War. Show all posts

Friday, July 11, 2014

SULLIVAN'S WAR - Free July 11-12!

This Friday and Saturday (July 11 & 12), my action-adventure sci-fi novel Sullivan's War will be free at Amazon! Also free is the associated story "Sergeant Riley's Account," which gives a little background to Sullivan's War but is by no means crucial to understanding it.

Follow the appropriate links below to get your free copies. If you like Sullivan's War, please visit this page to read about the rest of The Sullivan Saga. Also note that The Sullivan Omnibus, which collects the entire story, is on sale for just $4.99 through Sunday, July 13. Details here.

Get your free Kindle copy of Sullivan's War at:

Get your free Kindle copy of "Sergeant Riley's Account" at:
Amazon US
Amazon UK

Tuesday, July 9, 2013

SULLIVAN'S WAR Just 99¢ Through July 20!


My science fiction adventure novel Sullivan's War is currently on sale for just 99¢. This sale will only run through July 20, so be sure to get your Kindle or Nook copy today!

Available at:
and all other international Amazon Kindle stores.

Also be sure to check out the sequel, Sullivan's Wrath!

If you'd like to help spread the word, extra Tweets would be great. Just copy and past the following to your Twitter account:

SULLIVAN'S WAR by @MichaelKRose is just 99¢ through July 20! Get it for the #Kindle or #Nook: http://myriadspheres.blogspot.com/2013/07/sullivans-war-just-99-through-july-20.html #SciFi

Thanks!
Michael K. Rose

Praise for Sullivan's War:

"...a futuristic political thriller with great action, setting, and characters."

"...the narrative in the book is so flawlessly detailed, the reader can visualize the action as clearly as watching it on a screen. Mr. Rose has a big talent and I look forward to his future works."

"My renewed interest to the genre is a credit to the author. I have abandoned the sci-fi genre for awhile, but after having Sullivan's War recommended to me, I am now back in."

Thursday, June 27, 2013

Introducing SULLIVAN'S REALM

Hello, all. If you check out my eBooks on Amazon, you'll see that a couple of them have a new subtitle referring to Sullivan's Realm. What is this?

The Sullivan Saga, comprising Sullivan's War, Sullivan's Wrath and the upcoming Sullivan's Watch, is not a series that exists in a vacuum. Early on I had established that "Sergeant Riley's Account" and "Sleep" also existed in this universe. In fact, "Sergeant Riley's Account" is something of a prologue to the Sullivan books, taking place on Rick Sullivan's home planet of Edaline.

I had long ago named this the Myriad Spheres Universe (hence the title of this blog) and had planned a series of novels and short stories that explored this universe. I would still like to do this, but I have decided to rename it Sullivan's Realm in recognition of the fact that The Sullivan Saga will likely be the entry point for many into this universe and will, for the foreseeable future, be the most involved story taking place in this universe.

Not all of the stories in Sullivan's Realm will be directly tied in with The Sullivan Saga beyond taking place in the same universe, but I am planning a few spin-off stories about secondary characters in the Sullivan books. Those that are unrelated will flesh out completely unexplored parts of this universe or else develop ideas, planets or events only briefly touched on in The Sullivan Saga.

I'd like to thank all of you who have read and enjoyed my stories set in Sullivan's Realm so far. If you haven't read any or have only read a few, below is a chronological reading order to get you started. New stories can take place before, during or after The Sullivan Saga, and whenever I release a new Sullivan's Realm story, I'll let you know where in the chronology it should be placed.

Wishing you all the best!
Michael K. Rose

A Sullivan's Realm Chronology

"Sergeant Riley's Account" - Available as a stand-alone eBook or in the collection Short Stories
"Sleep" - Available as a stand-alone eBook or in the collection Short Stories
Sullivan's War: Omnibus Edition - Collects Books One, Two and Three 
Sullivan's Watch - Coming Soon!
"My Kingdom for a Horse" - Coming Soon!




Wednesday, March 6, 2013

The Sullivan Series: "A Must Read for Any Science Fiction Fan"

I'm honored by reviews like the one you see quoted in the title of this post. When I first set out to write Rick Sullivan's story, I had no idea that it would be so enthusiastically received. But my journey with Rick Sullivan will soon be coming to an end. The final book in the series, Sullivan's Watch, will be out this summer, so now is a great time to catch up on the first two books, Sullivan's War and Sullivan's Wrath. Just click on the links below to be taken to the Amazon or Barnes & Noble store of your choice to purchase eBook copies for your Kindle or Nook. Sullivan's War is also available in print, and you can order a signed copy here. Thanks again to all my readers, especially those who have taken the time to review.

Get Sullivan's War at:

Get Sullivan's Wrath at:

Praise for the Series:

"[A]n exciting and fast moving story, that will delight science fiction readers." - Review of Sullivan's War

"A must read for any Science Fiction fan." - Review of Sullivan's War

"A very worthy sequel and a Hell of a story." - Review of Sullivan's Wrath

Wednesday, February 6, 2013

New Release: SULLIVAN'S WRATH, the sequel to SULLIVAN'S WAR

Hello, all! After some serious setbacks and three days of seemingly endless rewriting and revision, I have managed to get Sullivan's Wrath out on time. And astonishingly, Barnes & Noble published it overnight, when they usually take several days.

Get Sullivan's Wrath at:

and all the other international Kindle stores.

And if you don't yet have Sullivan's War, get it at:

and all the other international Kindle stores.

Please note: Sullivan's Wrath's estimated length of 180 pages is incorrect. The actual length, based on the upcoming print edition, will be around 250 pages.

Thursday, January 24, 2013

Release Announcement: SULLIVAN'S WRATH

Hello, all! I am very pleased to reveal the cover of my upcoming novel Sullivan's Wrath and announce the official release date: February 8, 2013. This is the long-awaited sequel to Sullivan's War. Like the first book in the series, this will be an action-packed, thought-provoking read that will take the story to places you never could have imagined.

Rick Sullivan, Frank Allen and Kate Alexander are all back, along with their pilot friend Dale Hammond and Eugene Brain, now the criminal overlord of Abilene! And the mysterious hyperspace entities will finally reveal their motives to Sullivan and Allen. But are they telling the truth? And what plans do they have for Earth?

Find out in Sullivan's Wrath! Meanwhile, get Sullivan's War as an eBook from Amazon or Barnes & Noble, or order a signed print copy here. The final installment in the series, Sullivan's Watch, is due out this summer.

Wednesday, January 23, 2013

Prices Reduced on Signed Print Copies of SULLIVAN'S WAR and SHORT STORIES

Hello, all! I have a lot of stock of Sullivan's War and Short Stories which I'm trying to move so I can make room for copies of Chrysopteron and Sullivan's Wrath. I've therefore reduced the price on both books.

Signed print copies of Sullivan's War are now just $7.99 plus $4.99 S&H.
Signed print copies of Short Stories are now just $5.99 plus $4.99 S&H.
Get the Sullivan's War and Short Stories Signed Combo for $12.99, and pay just $4.99 S&H for both books!

You'll also get free swag (bookmarks, signed cards) with each purchase!


Best,
Michael K. Rose


Wednesday, December 19, 2012

#12NovelsIn12Months Update: That Happens This Time of Year

Well, I'm about a month behind on my project to write 12 novels in 12 months. As the title says, that sort of thing happens this time of year. Revising and editing Chrysopteron took quite a bit more of my time than I anticipated, plus I was out of commission for about a week at the end of November due to a nasty cold.

But I'm not too worried. I have one more novel to revise and edit in the next few weeks (Sullivan's Wrath, the sequel to Sullivan's War) then I can devote my time solely to writing for a couple of months. I plan on doubling down in March, and will attempt to write two books during that month.

On the positive side of things, I am very pleased with how Chrysopteron has turned out. All my advance readers loved it and have used phrases like "A masterpiece" and a "...gem of a novel..." in their reviews of the book. I also got it released a few days ahead of schedule, so if you hurry, you can read it before the end of the world.

I've also come up with an idea for a horror/paranormal trilogy which has filled in the rest of my #12NovelsIn12Months calendar. So I now know exactly what I'll be working on over the next ten months. That's a reassuring feeling, knowing I'll never reach the point during this project at which I'm sitting in front of a blank screen, not knowing what to do.

One final note: I am running a Christmas sale! My novel Sullivan's War and my collection Short Stories are just 99 cents apiece until the end of the month (or your country's equivalent). Sullivan's Wrath is coming soon, so it's a good opportunity to pick of Sullivan's War and get caught up on the story. Click below to be taken directly to the product pages on Amazon:

Sullivan's War, just 99 cents - Amazon US, Amazon UK
Short Stories, just 99 cents- Amazon US, Amazon UK
Chrysopteron, $4.99- Amazon US, Amazon UK, Barnes & Noble

All the Best!
Michael K. Rose

Thursday, November 1, 2012

#12NovelsIn12Months Update:
Sullivan's Wrath is Finished!

The first month of my #12NovelsIn12Months project has been a success! I completed Sullivan's Wrath, and it is over 60,000 words in length. This is, of course, a first draft, and I expect to add a bit to it as I flesh out some scenes during revision.

Some of you have asked when I'll have time to do said revisions and edits. Well, if I can keep on track this month as I write Darkridge Hall, a paranormal thriller, I will have a few days left over at the end of the month which I will use to work on a second draft of Sullivan's Wrath. The plan right now is to release it at the end of January.

The third book in the Sullivan Saga, Sullivan's Watch, will be written during the month of December. Then, as I'm doing in November, I'll write something else in January to take a break from the series and finish it off with the fourth Sullivan book in February.

I had written before that the trilogy of Sullivan books would be bookended by two others, one taking place before Sullivan's War and one taking place after the main story line of the series. However, I have decided to combine those into one book and actually increase Sullivan's involvement; I had originally planned for him to be a secondary character. This way, the Sullivan Saga, as I'm calling it, will be all about Sullivan, but the scope of the final book will be much larger than any of the first three books.

On a final note, this is November, and I imagine lots of you will be participating in NaNoWriMo. I am as well, by default, but I won't be participating in the communal aspect of it, posting daily word counts and all that. However, I do wish those of you participating the best of luck! I've just written a book in a month, so I know that while it is a challenge, it is not as difficult as you might imagine. You can do it!

I'll post another #12NovelsIn12Months update when I have something to report. Until then, don't forget that signed print copies of my books are currently on sale. Details can be found here. I'd also like to add that Nov. 1 & 2, Sergeant Riley's Account, the prologue to Sullivan's War, is free at Amazon. Click here for links.

Best,
Michael K. Rose

Sunday, October 7, 2012

#12NovelsIn12Months Update: The First 20,000 Words

It is Sunday night as I write this, and my word count for Sullivan's Wrath, the first book of my #12NovelsIn12Months writing project, sits at 20,063. I know that writing 3K a day means I should be at 21,000, but I was having dizzy spells for a couple of days (yes, I am in a Tennessee Williams play) and my writing output on those days was only around 2K. Fortunately, I had written over 6K on Monday so I was ahead of the game.

Now that I have a full week under my belt, I think I will shoot for 20K a week from now on. This will give me a little flexibility with my daily word count and, to quote Paul Newman in Cool Hand Luke, it's a "nice round number."

Quite a bit of time this week was spent in plotting out Sullivan's Wrath. I had a very basic twenty-scene outline, but that has now been expanded to fifty-five scenes. I also created and introduced a character who in this book will help drive the tension as the readers begin to wonder what he's up to and make for an effective antagonist for the third Sullivan novel. This novel is turning out quite a bit darker than Sullivan's War. In addition, elements that I introduced in the first novel are now playing a much larger role. Elements from this novel will play a large role in the last book of the trilogy.

I mentioned briefly that there will be two more novels to bookend the Sullivan Trilogy. With that in mind, I am trying to be very careful to craft this book in such a way that I do not contradict anything that I want to happen in those books. Very soon I plan on writing brief outlines for the third Sullivan book as well as those two bookends, just so I stay on the same page with myself. I also finalized the overall motivation for the things that are happening throughout the series. Readers will see that nothing that happened in Sullivan's War and nothing that will happen in this novel or the next is on accident. Every time I sit down to write, it seems that more and more events in the series become linked to one another. Some of this is intentional, and some of it is happening quite on accident.

An example: In Sullivan's War, the hyperspace entities began simply as an excuse for why Benjamin Alexander's new technology would not be extensively used. However, they have become linked to everything that is happening throughout. I am myself quite excited to see all this unfolding and I hope readers of the series will feel that same excitement.

Wish me luck as I enter my next week of the project. As I mentioned before, if you'd like to support me in this endeavor, financial considerations will end up being my biggest obstacle in preventing me from writing full time. If you'd like to purchase any of my books, it would be greatly appreciated. If you are new to my work, I have several short stories and novellas for sale individually, but you can get everything I've published so far in just two books: my collection Short Stories and Sullivan's War. If you get those two, you can enjoy my entire output to date.

Thanks again to my readers for all the support you have shown me this past year. I will do my best not to disappoint in the year to come.

Best,
Michael K. Rose

Friday, August 24, 2012

Fill Your Weekend with Sci-Fi Adventure: Sullivan's War


Sullivan's War is still going strong! In fact, when I released it in July, Sullivan's War: The Complete Adventure quickly overtook all of my other titles, becoming my best-seller. If you'd like to check it out, eBook copies are available from:


Links to the other international Kindle stores--and my web store, if you would like a signed print edition--can be found here.

See what reviewers are saying about Sullivan's War :

"Michael K. Rose nailed it with nonstop action, great characters, and an enticing plot line."

"Michael K. Rose has renewed my interest in science fiction with Sullivan's War."

"A sci-fi thriller that definitely delivers!"

Friday, August 17, 2012

Signed Copies of Sullivan's War Now Available!

Yesterday, I received my shipment of Sullivan's War. If you head over to my web store you can order a signed copy. I also have a cool new bookmark design and each book ordered comes with a Collector's Pack (which includes three different bookmarks and a signed card featuring the cover of the book). You'll also see that Sullivan's War and my collection Short Stories are available together at a discount. Order this weekend and your book(s) will be mailed out on Monday.

Please do check it out: Michael K. Rose's Web Store.

And for those of you who prefer eBooks, you can get a copy for the Kindle or the Nook. Links to all stores can be found here.

Thank you to all who have supported me thus far! Without my readers, none of this would be possible.

Best Wishes,
Michael K. Rose

Sullivan's War with Collector's Pack
Short Stories with Collector's Pack

Monday, August 6, 2012

SULLIVAN'S WAR Signed Print Editions

Hello, all! I released Sullivan's War: The Complete Adventure as an eBook around the middle of July, and the response has been phenomenal! Sales of this book, combined with sales of my other titles, gave me my highest-grossing month ever. My work also continues to attract glowing 4- and 5-star reviews.

To all who have bought and read my books, thank you for helping me toward my goal of being able to support myself as a writer. I still have over a year to accomplish that goal, and I can already see it on the horizon.

Today, I'm pleased to announce that signed print editions of Sullivan's War are now available for preorder. You can buy it alone for regular price ($12.99 + S&H) or in combination with my collection Short Stories for just $18 + S&H, a discount of $5 off the combined price of the books. Short Stories is also available individually and is currently on sale as well.

Each order also comes with signed postcards featuring the covers of the books and a selection of bookmarks. All options can be viewed at my web store, here

If you prefer an eBook edition of Sullivan's War, it can be purchased for the Kindle or the Nook. Links to all eBook stores can be found here. EBook links for Short Stories can be found here.

Thank you again to all my readers. Your support has been overwhelming, and the only way I know how to repay it is by writing books that you'll hopefully enjoy. Up next is a novel called Chrysopteron, followed by the sequel to Sullivan's War, Sullivan's Wrath. Look for Chrysopteron in October and Sullivan's Wrath near Christmas.

Best,
Michael K. Rose

Wednesday, August 1, 2012

Is Your Novel "Long Enough?"

Books of Varying Lengths
As you may know, I've recently released Sullivan's War: The Complete Adventure. It collects three novellas (called Sullivan's War: Books I, II and III) which were released individually but make up one story line. Those novellas, usually priced at $2.99 apiece, have been selling fairly well. But The Complete Adventure's sales have been fantastic, selling in twelve days nearly as many copies as Book I, even though Book I's price was reduced to 99 cents near the beginning of the month.

I had suspected that I would see an increase in sales once I released The Complete Adventure, and here's why: I'd read long ago that many readers prefer to read only novels. They do not particularly care for short stories, and novellas? What the hell is a novella? The unimpressive sales of my collection Short Stories seems to support this idea. Even though Short Stories has a good number of positive reviews and I promoted it as heavily (if not more heavily) than Sullivan's War: The Complete Adventure, I sold nearly 7 times as many copies of Sullivan's War as Short Stories during July. And remember, Sullivan's War: The Complete Adventure was only available for the last twelve days of the month.

Now, I'm one who has always been a champion for short stories. I write them, obviously, and I even wrote a blog post called "Why I Love Short Stories." Another post I wrote as a guest on ME Franco's blog is called "Short Fiction is Dead?" In it, I propose that the eBook revolution will see a reemergence of shorter fiction. One thought is that a short story or novella can be published without the concern of making sure a "book" is of a profitable length. Now that printing costs are not a factor, any length can be a profitable length, assuming the story is sufficiently attractive to readers. Well, the three Sullivan's War novellas have been profitable, as have a few of the short stories I released individually. But my experience these past two weeks with Sullivan's War: The Complete Adventure has convinced me that full-length novels are going to be even more profitable. And while profit should not be a writer's sole consideration, it is unavoidable if one wishes, as I do, to make a living at it.

So is your novel long enough? What is long enough? The dividing line between novels and novellas ranges from 40,000 words to 60,000 words or higher. Will readers be "unsatisfied" with a 40,000-word novel? Does the word novella scare some people away? And what can one reasonably charge for short stories, novellas, short novels, long novels? I've been publishing my fiction for less than a year, and I'm still trying to work all of this out. But the sales of Sullivan's War: The Complete Adventure have convinced me that, for now at least, I should probably not focus on writing short stories quite as much. Novels are what readers want, and I have about a dozen novels waiting to be written. I just hope I can make them long enough.

What do you consider to be a minimum length for a novel? If you prefer novels over novellas or short stories, why? I'd love to hear any thoughts on this topic; just leave a comment below.

Best,
Michael K. Rose

Edit: Please read the followup to this post here.

Friday, July 20, 2012

SULLIVAN'S WAR: THE COMPLETE ADVENTURE
Now Available!

Hello, all! I am very pleased to announce that Sullivan's War: The Complete Adventure is now live at Amazon. This edition collects all three Sullivan's War books into a single edition at a discounted price. If you haven't read the series, this is a great opportunity!

Get it at Amazon US, Amazon UK and all international Amazon Kindle stores.

On Earth, a powerful politician has been murdered. When he's assigned to the case, Agent Frank Allen soon discovers that the man responsible, Rick Sullivan, is not yet finished killing. But Allen will also discover that Rick Sullivan is not the man he appears to be, and the war he's fighting, a war to rid his home planet of its oppressive government, is not his only battle.

As Allen pursues Sullivan across the known galaxy, he begins to question his own beliefs and loyalties. Will Allen be able to stop Rick Sullivan before he kills again? Does he really want to? As their lives become increasingly intertwined, both men realize they must face truths about themselves that neither of them are prepared for. And some of those truths will have consequences that neither of them could have ever imagined.

Praise for Sullivan's War:

“With sharp prose, delicate and—at times—stabbing dialogue, and scene setting that is on par with the best of the fiction writers of the past, Rose delivers a one-two punch to the gut that makes this reader want more and more.” - Benjamin X. Wretlind, author of Sketches from the Spanish Mustang

“The Sullivan’s War series is a must-read for science fiction fans. Mr. Rose delivers with a rock-solid plot, well-paced delivery, intriguing alien elements, believable worlds, and nonstop action.” - K. Wodke, co-author of Zeke

"With heart-stopping battles and a conclusion that took my breath away, Sullivan's War is a sci-fi thriller that definitely delivers! - Alexia Purdy, author of Reign of Blood

Sullivan's War is so much more than typical science fiction...a very entertaining sociological and political thriller, set in the future, with top notch, well fleshed out characters, and great action scenes.” - Steve Umstead, author of the Evan Gabriel Sci-fi Adventure Trilogy

Wednesday, May 16, 2012

Being Garrulous (again) with Benjamin X. Wretlind
(Part 2)


This is the second part of a conversation between author Benjamin X. Wretlind and myself. Please see Part 1 here.

---

MKR: Besides leaving a legacy through your writing, is there anyone you hope to inspire? Is there any message you hope to convey, any ideas you want to put out into the world?

BXW: I think you touched on a sort of running theme when you interviewed me way back when. I like to say people are the sum total of their experience and if we just look at the outside, we'll never really understand them. That often leads to stereotypes, discrimination and even bullying. For example, in each sketch in my novel Sketches from the Spanish Mustang, there is one man who is seen through the eyes of each character.  Most assume he's a crazy nut, a homeless man who talks to himself.  However, there's a very long history to that man--war vet, disabled, wife and child, etc.  Why does he act in a particular way, and why does he appear the same, yet different, in strangers' eyes?

I used to think people were generally bad. There was no good in them, so why bother to understand them. The older I get, however, the more I've started to see each person as that sum total of their history.  If that's the case, if I interact with that person don't I become another summand in their equation?  Shouldn't I want to instill something of value to their present?

I do have a lot to say on this subject, but I'll leave it at that right now.  For your part in writing science fiction, what do you want people to see in your characters? Do you have a central theme you're running off right now?

MKR: When one is a child, it seems that everything and everyone is good and beautiful. Sadly, some children learn too soon that that is not the case, like Maggie, in Castles. I think that as we age the misery in the world overshadows the beauty of it. We may remember a beautiful spring day for a short while, but we'll really remember the tornado that took out ten houses the next block over and swept a family of four into oblivion. A kindness done to us by a fellow human being may linger in our memory for a day, but an act of vicious cruelty can haunt us for a lifetime. I fully understand, then, the inclination to see people as inherently evil, especially considering the influence of Christianity on our culture that very explicitly states that the reason we no longer reside in Paradise is because of our wickedness. And it was this view of humanity as inherently base, as our bodies essentially worthless when weighed against the immortal soul, that led to the terrible conditions of Medieval Europe during which most everyone's life was "solitary, poor, nasty, brutish, and short," to quote Thomas Hobbes. And the worst part was, that was accepted!

In my view, it really took Enlightenment thinking, humanism and deism, to introduce to the Western world the idea that every human life has worth, every human being deserves to live peacefully and free of oppression. Here was an idea that if there is no immortal soul, if this body, this life, is all we have, how can any one of us justify bringing misery to another human being? We still haven't achieved the ideal of the Enlightenment but we are much closer and at least now the goal is there, where before there was only doom and gloom.

I love your view of human interaction. Yes, we each play a part in the lives of everyone else we encounter. Some of these roles may seem trivial but suppose it is something as simple as smiling at a stranger who looks sad? We may have brought a little joy, a little hope, to that person. We must always attempt to give value to one another's lives rather than take value from them. This is the foundation for forming a more-ideal society.

Now, after all that, I will answer your question. I realize I do go on. You asked "...in writing science fiction, what do you want people to see in your characters? Do you have a central theme you're running off right now?" In Sullivan's War, I hope that readers go away asking two very simple questions: what makes a man good? and what makes a man bad? This is touched on in Book I but explored in more depth in Book II. I don't have an answer for that. I am reminded of the difference between morality and ethics: if one is moral in the Christian sense, one does not lie. So, if one were living in Nazi Germany and a Jew ran by followed by the SS who asked which way he went, you would have to tell them the truth to remain moral. But if you are to be ethical, you must lie and send them in the wrong direction. I know situational ethics get a bad rep and I do believe there are universal ethical laws, just as there are universal physical laws. But it's something to think about. To whom do you owe your ethical fealty?

Another idea I explore in Sullivan's War is that of justification. Is it acceptable to do a "bad" thing if it ultimately leads to a greater good? In your stories, it seems your characters engage in an awful lot of justification but of a more personal, selfish kind. This also interests me. We seem to be able to justify an awful lot if it serves our own greater good. Counteracting this is one of the key challenges of society, I think. Is this a theme you have intentionally been exploring in Sketches from the Spanish Mustang?

BXW: I don't know if that internal justification is a subconscious result of turning 40, but Sketches from the Spanish Mustang is filled with it. I'd like to think I've been impervious to middle age, but the more I write, the more I realize I'm probably not. I really enjoy exploring a character's inner child, what makes them who they are. In A DifficultMirror, which I started when I turned 28, actually, the history of a person is forced out in the open and how they deal with whatever mistakes they've made is explored in depth.  That's dark fantasy, however, not reality. In reality, we all have our skeletons, our histories we hide away so no one can see.  However, no matter what we do, we are the sum total of our parts and we can either accept what we've done or try to justify it in some way. 

As I sit here talking about this, I realized that the characters in my upcoming novel Driving the Spike must justify their actions. Are they good, are they bad? Much like you explored in Sullivan'sWar, there is a difference between morality and ethics. Did you start out with that theme before you penned the first word of Sullivan's War or did it come out as you wrote it?

MKR: It evolved. Sullivan's War started as the story about Frank Allen investigating the murder of Assemblyman Gene Palmer. From there it got tied in to Sergeant Riley's Account, then a third story I had written called "Promises," the story of a bounty hunter tracking down a criminal, got incorporated into the beginning of Sullivan's War: Book II. Now, early on I must have decided that Sullivan's War would address these issues of right and wrong because the title All Good Men Serve the Devil was there from nearly the beginning. I actually wrote out a bit of dialogue to incorporate that line before I got to that scene in the book. By the time Book I was finished, however, I felt that it was heavy on action but character development and exploration of theme were a bit lacking. I attempted to correct that with Book II.

My next project, Chrysopteron, started a bit aimlessly but as I wrote the overarching theme began to reveal itself. It was at that point that I wrote an outline to make sure I hit on all the thematic points I wanted to address: hope, loss, faith, sacrifice, right and wrong (again). I ended up shuffling the organization a bit and added another story line but the thematic structure remained intact. I hope readers will pick up on it and appreciate what I am trying to do. Of course, the reader applies additional meaning based on his or her own perceptions. I think the best authors are able to convey their own meaning but be subtle enough about it that the reader happens upon it without explicitly being told. But I guess some readers will completely miss the point, no matter what you do. Do you worry that readers will completely miss the point of your work? Do you care, as long as they pull some meaning from it? Or are you even content for your work to be perceived as just an interesting story, with the reader taking nothing away?

BXW: I really don't worry about what readers get out of my novels, as long as they get something.  There's a meme that's been passed around regarding meaning that you've probably seen.  "What the author meant" vs. "What your English teacher thinks the author meant."  While I can laugh at the simplicity of the author's statement ("The curtains were blue") and the teacher's meaning ("The curtains represent his immense depression and his lack of will to carry on"), I find this meme more telling of what literary snobs think we should get from a novel.  For example, if the New York Times says Castles reeks of abuse and discord, then to me they didn't get it.  Conversely, if the Colorado Springs Gazette says Castles is a view into the growth of a woman through abuse and neglect and carefully questions how environment can affect genetic mutations in the brain, then I think they're pretty close.  Now, what do my readers come away with?  I would hope the literary snobs don't mutate my message, and I hope I write it clear enough that it sinks in with the masses.

I've been very focused on the themes presented in Sketchesfrom the Spanish Mustang. As I mentioned before, it's important to me that I impart the idea that people are the sum total of their days and not just a present manifestation with or without obvious merit.  I do worry the message won't reach the reader, but all I can do is try.

Do you ever worry?

MKR: Do I worry about the message not reaching the reader? I wouldn't say I worry, per se, but I do make a point of writing afterwords for my major works. I do this not so the readers "gets it" but because I want to communicate with the readers on a more personal level. I want them to know what went into creating the story, the inspirations, etc. I think that knowing these things does enrich a text.

I like how the focus of much of your work is trying to make the point that a person is the sum of his or her experiences. It's a profound message, and yet so simple. For example, I am the product of very fortunate circumstances. Because of where and when and to whom I was born, I have been able to cultivate a life of ease and comfort in which I can spend a great deal of my time writing, reading, traveling, focusing on art, philosophy, etc. rather than worrying about where my next meal is going to come from. Reading about the problems that the characters in Sketches from the Spanish Mustang face really reinforces how good my life is, how petty my problems.

Do you think that you are trying to point humanity (or America, at least) in a different direction? Do you want readers to go away thinking that if people are the sum of their experiences, perhaps society as a whole could do something to make some of those experiences more positive? Or is it up to individuals to engage one another and help their fellow human beings along?

BXW: Afterwords are often my favorite part of a book, and I really enjoy reading them.  James Rollins typically puts in a fact or fiction section at the end based on his research.  I know it sounds petty, but that's cool.

I really never thought my writing could point America or the world toward any lofty goal, however I would like to reach at least one person.  It's very important I leave a mark on someone's life, whether or not that's with Sketches from the Spanish Mustang, Castles, the upcoming A Difficult Mirror or the next novel I'll start working on this summer.  That next novel--Driving the Spike--is probably going to be the closet I get to pointing humanity at anything, but I sincerely doubt it'll have the lofty impact I want it to have.

I think there's something to be said about a person who engages another without expectation of reward, and even the smallest attempt to help another can make the biggest impact.  To help without expectation of reward, I truly believe, makes a man (or woman).  Most of us drop money into the Salvation Army bucket during the holiday season, but how many take a full Saturday and sort donations in a food bank warehouse or stand on a serving line at a soup kitchen or walk ten miles for autism research?  These things are small and there is no reward save the feeling you get for helping.  Sadly, there are a lot of people who don't look at life this way; they expect something tangible in return for their effort--getting paid to be a foster parent, getting a t-shirt from a MS walk, showing off some certificate from the two hours they did something for someone.  Helping shouldn't be like that.

I guess I got on my soapbox again. I tend to do that.

Tuesday, May 15, 2012

Being Garrulous (again) with Benjamin X. Wretlind
(Part 1)


For those few of you who read Chewing the Cud in the Myriad Spheres, the previous conversation between Benjamin X. Wretlind and myself, here is another exciting installment! Due to its lack of brevity (which is chiefly my fault) we have decided to break it into two parts. Enjoy!

BXW: So I was reading over your latest blog post, Inventing a Universe, and a thought popped into my head: during the writing of Sketches from the Spanish Mustang I spent a great deal of time getting into the characters' heads, walking the paths they might take, looking at the town through their eyes.  Likewise, with the novel I intend to start this summer, Driving the Spike, I have already started the process by walking some railroad tracks where an accident occurred 108 years ago.   The idea, of course, is to see the world through the eyes of my characters.  However, with Science Fiction, especially with imagined worlds (or parallel universes like you discuss), how do you see the world though your character's eyes?

MKR: What I like to keep in mind is that people are people, whether they lived ten thousand years ago or ten thousand years from now. If I were a Clovis hunter following herds of mammoth across the Great Plains I think that, despite the vastly different way of life, my fellow hunters and I would sit around the campfire at night and shoot the breeze just as I do with my friends today. The technology would be different, our clothes, our language, our way of perceiving the universe would all be different but we would still be human beings. A heart not unlike mine would beat in the breast of my Clovis twin. I would want food, shelter, love, companionship. In the two hundred thousand years our species has wandered this Earth that has not changed and there is no reason to believe it will change in the near future.

Now, I have never taken down a mammoth with a spear. But I can imagine it. As a writer, imagination is key to understanding other people, people who eventually become "characters." Would it help if I could go back in time and see how a hunting party surrounded and felled a mammoth, where they jabbed their spears, how many of them it took? Of course. But I can't, so if I were to write a mammoth-hunting scene my imagination would fill in the blanks that the archaeological record has left behind. So it is with science fiction. When we write about the future we are not writing from a blank slate. We have all of human history to draw on to understand how human beings will react in different situations. For example, we know that we tend to be suspicious and aggressive when encountering intelligent beings not like ourselves (from history, we have the sad lesson of the Europeans' encounter with the indigenous Americans. In my fiction, look at the treatment of the Squamata in Sergeant Riley's Account and Sullivan's War: Book II.) Another example from history that I draw on is the simple fact that people generally want to be free of oppression. The entire Sullivan's War series is about this and how many times throughout history has a power structure has fallen due to the discontent of the oppressed? Here where I live in the Southwest, Hohokam civilization collapsed around 1400 CE and there are Pima legends that indicate that the people rose up against the powerful.

So writing science fiction is simply writing about people. I cannot see alien worlds or travel through hyperspace in a ship but my brain is capable of understanding what they might be like. My imagination can fill in the gaps left after taking the entire shared experience of human culture into account. I see their worlds because their eyes are like mine. I share their hopes and desires because those are common to all human beings across history. And my invented universe is not that different from our own, when you really examine it. There are real-life parallels to many of the things I write about.

Now, what I find interesting is that in Castles you described experiences unfamiliar to you despite the fact that those experiences are real for all too many young women across the country, across the world. For me, that is as remarkable a feat as bringing to life an alien landscape. We've talked about this before, but would you care to talk a bit about Maggie's story?

BXW: As I've mentioned before, I believe Maggie spoke through me in a way that's really hard to describe without coming off sounding--how should I put it?--bat-shit crazy.  The fact I squirrel away information that comes to me via media may have enabled my subconscious to postulate how a woman might view a certain situation more so than a man who is trying to force the character into action.  For example, I had a lot of trouble near the middle of the story related to Maggie's view of abuse at the hand of her boyfriend because that's just not something I'd ever experienced.  Somehow after a few months or years, though--and after dealing with abusive people as a manager--Maggie spoke up.

Getting into a character's head is important to me, and that's one reason I like to interact with their supposed environment if I can, and if I can't, then to spend an inordinate amount of time researching that environment. However, in A Difficult Mirror, a dark fantasy epic novel to be released (hopefully) next winter, I couldn't walk around the environment since it didn't exist.  Not that I couldn't take clues from other stories, but that the environment just didn't exist.  (That's a bit vague, I know, but the novel isn't out yet.)

You brought up something I'm curious about. I've mentioned to you before that I was never a huge fan of science fiction; that distinction fell to my brother. I was the fantasy type, the one who believed in dragons and wizards and spells, oh my!  However, some historic science fiction I've read has held a sort of special place in my heart simply because of the impact on our present.  I am, of course, talking about the work of Jules Verne, H.G. Wells, or Arthur C. Clarke.  Even Philip K. Dick. Their imaginations of technological advances helped pave the way for our present.  Writers like Ray Bradbury or George Orwell, on the other hand, wrote people into the future--much like you describe--and did so without the need to characterize or build up technology that didn't exist.

How do you view technology in your stories? How do you imagine worlds without borders or limitations, and do you hope to one day create something that would inspire some future geneticist or engineer?

MKR: Technology. Well, let me first point out that I am not technologically-minded at all. I am endlessly fascinated by it but if I had to actually try to describe how an intricate piece of software or hardware operated, I'd probably be trying to do it with sticks and a length of string. So, the technology in my stories isn't particularly original. I'll readily admit that. I rely on many tried and true tropes of the genre: hyperspace travel, energy weapons, fold-up tablet computers, three-dimensional displays. Now, since the Sullivan's War story line is supposed to take place about five hundred years in the future, this may seem like pretty low-tech stuff. I actually have a reason for this that will eventually reveal itself as I continue to explore this universe. I will just say that just because a technological advance is made doesn't mean it will be readily accepted.

I suppose I am comfortable with a certain level of technology, a level that has already been explored by many science fiction writers and is accepted and liked by a great many science fiction readers. Again, my own ignorance about technology prevents me from currently writing anything like cyberpunk. I just don't have the background to do it justice. So I really don't see my science fiction as the type that will inspire future engineers. Rather, I see my work as inspiring (if, in fact, it inspires anyone at all) future humanitarians, future philosophers. Remember, science fiction is about exploring how humans respond to fantastical situations as much as it is about inventing and describing cool technology. This is one of the reasons I consider 2001: A Space Odyssey to be my favorite book. Clarke had the scientific knowledge to make the technology one hundred percent plausible but the story is, essentially, about humanity. I mean, it begins with the dawn of consciousness, with the evolution (via external means in his story) of creatures that would one day become human beings! Because of his invented world of the near future, his characters--Dave Bowman in particular--are able to have experiences that no other humans have before experienced. How it affects them is just as fascinating as how future technology, such as the HAL 9000 computer, might work (or not work). How does the realization that an alien intelligence has visited our solar system affect them?

I often think about what would happen if we were to wake up one day and have undeniable proof that we were not alone in the universe. What effect would it have on world religions? I mean, in the 16th century Copernicus developed a heliocentric model of the solar system and while no one with any sense would deny the truth of this model today, there are many who still have a very geocentric, or Earth-centric, view of reality: that we, human beings, are at the center of God's divine plan, that, in fact, we are created in God's image and are his chosen species. Remember, it was only two thousand years ago that not only were humans God's chosen species on the planet, but a very specific group inhabiting the Levant were his chosen race. I speak from a Judeo-Christian perspective, of course, because it is the tradition that has most shaped the Western world. Now, this type of thinking has been used to justify and explain our dominance on this planet. But what if another, intellectually superior species managed to cross the vast distances between star systems and arrive at ours? God wouldn't seem to favor us so strongly then, would he?

I do believe in a creator. To believe in a specific god requires more faith than I have, though. I must trust that the creator, whatever it may be, gave me the ability--via evolution--to observe the world empirically for a reason. We are a species that is meant to question the world around us, not invent angels and devils to which to ascribe the mysteries of the universe. To return to my main point, this is my focus when I write science fiction. I hope to inspire future dreamers, people who will look at our world and see it for what it really is but also see what it can be if we throw off the shackles of tribe, of clan, of race, of nation, even of species. I know that to date my work hasn't explored this as fully as I would like but I am working toward it and my next project, Chrysopteron, will fully explore these ideas.

Read Part 2 here!

Friday, May 11, 2012

SULLIVAN'S WAR: BOOK III Arrives May 18!


Hello, all! I am very excited to officially announce that Sullivan's War: Book III - Edaline's Dawn will go live next Friday, May 18! The journey began in December with the release of the prologue to the series, Sergeant Riley's Account, and was followed by Book I in January and Book II in March. Combined, those books have received over twenty 4- and 5-star reviews and have been a nearly constant presence on Amazon's "Bestsellers in Science Fiction Series" list.

Book III sees the end of the Sullivan's War story line. Rick Sullivan will finally return to his home planet of Edaline and fight to free Edaline's people of their oppressive government. It will also reveal the fate of Frank Allen. And what of the bounty hunter Harvey? Will he continue to be a thorn in Sullivan's side? And what role do the mysterious hyperspace entities have to play in Sullivan's future?

To find out, get Sullivan's War: Book III - Edaline's Dawn next Friday! Please visit the Sullivan's War page on my official website for more information and for links to purchase Books I & II:



Tuesday, April 24, 2012

April Writing Update

I haven't done a writing update since January. Why? The honest answer is that I forgot. I've been quite busy writing, editing and formatting for eBook release my Sullivan's War novellas, as well as marketing, giving interviews and making connections with readers and other writers. It's been a busy year so far!

And here I am, six months--more or less--since I became a published author. It's been a fun and exciting ride, to be sure. My work has received an overwhelmingly positive response. As I write this I have over forty 4- and 5-star reviews on Amazon and I have been very happy with sales.

Earlier this month I finished Sullivan's War: Book III - Edaline's Dawn, and sent it out to my beta readers. This wraps up a project that I began working on last November. It has occupied my writing time almost completely, with only an occasional foray into short stories to pull me from the world of Rick Sullivan. I knew the basic story line, of course, but a few surprising things have happened to Sullivan and friends along the way. I have also decided that Sullivan's War is not the end of the story. The current plot will, of course, be wrapped up with Book III. But there will be an element from Sullivan's War left unresolved, something to look forward to in Sullivan's Wrath, which I hope to have out in time for Christmas. Sullivan's Wrath will not be a serial as Sullivan's War has been but will be a complete novel, released in one volume. But before you get too excited, there are other things happening before that!

First, of course, Sullivan's War: Book III comes out around the middle of May. Then, the complete Sullivan's War story line will see release in June or July as both an eBook and in print. Yes, those of you who have asked me for autographs will finally have something for me to autograph! I am currently working with a wonderful artist to design a custom cover for it. Finally, my science fiction novel Chrysopteron will be released in September (possibly sooner, depending on how lazy I feel like being).

So, as you can see, I have lots of projects in the works. At the beginning of the year I committed myself to writing and publishing three full novels (which will be Sullivan's War, Chrysopteron and Sullivan's Wrath) and so far I am on schedule to do that. I also plan on releasing three novels next year, including at least one more Rick Sullivan novel. There are also two short story projects that I'd like to put out, hopefully one this year, one next year. They are Inner Lives: Volume II and a collection called Visitors.

Stay tuned to this blog for updates! You can also send me an email asking to be put on my contact list to be informed of new releases or other important news. I don't send these out very often so I won't be inundating you with spam. Contact me at: myriad_spheres@yahoo.com

Thanks to all of you for your continued support and encouragement!

Wishing You All the Best,
Michael K. Rose

Tuesday, April 10, 2012

A Excerpt from Sullivan's War: Book II

Dear Friends,

Following this introduction is Chapter 1 of Sullivan's War: Book II - A City without Walls. If you like action-packed science fiction, you will love Sullivan's War! The series has been receiving rave reviews on Amazon and has been a regular inhabitant of Amazon's Bestsellers in Science Fiction Series list. If you enjoy this preview, please consider purchasing Book II from Amazon or Barnes & Noble (links here). If you've yet to read Book I, links to purchase it can be found here.

Best,
Michael

---

     Trenton was a miserable place.  So miserable that not even the corporate mining interests would touch it.  They had touched it at one time, briefly, just long enough to build a habitation and mining complex that covered twelve square kilometers.  And they had touched it just long enough to let two thousand men and women die when the planet’s highly unstable tectonic plates shifted, destroying a quarter of that complex as the planet’s surface split apart and lava flowed up through the fissure and into the streets.
     They could send automated machines, steel behemoths that could mine and process fifteen tons of rock per hour, but their accountants had convinced them that it wasn’t worth the risk.  The loss of a dozen machines would break any mining interest.  The loss of two thousand men had been quite a bit less costly.  No, there were other worlds to exploit.  It was best not to risk it.
     Because of this, all this and a dozen other reasons, Harvey cursed under his breath when he saw the tracking data on the stolen freighter.  It had left Damaris after Richard Sullivan had stolen it and, presumably, killed its owner, a freight runner named Oscar Jones.  Then the ship had disappeared.  It was only a matter of time before it would turn up again, though.  Harvey had been waiting ever since, waiting for a probe or any other passing ship to pick up the freighter’s identification signal.  It was finally detected by a private ship that had done a fly-by over Trenton.  They were sight-seeing, looking at the impressive lava flows, but when their ship flew within range of the freighter it had silently logged the ID signal, as was routine, then uploaded that information to Damaris’s planetary database upon its return.
     Harvey had flagged the ID signal and when the freighter’s location finally reached him he was ready to go within six hours.  He didn’t know what Sullivan was doing on that god-forsaken world but he hoped he’d still be doing it long enough for Harvey to find him.
     Harvey had cursed again when he and Ross arrived at Trenton.  He’d never been there but the sight was overwhelming.  It was a Mars-sized rock covered in a thick atmosphere.  It had boasted life a million years ago but now the tectonic shifts, the eruptions and the continent-wide lava flows had killed off all but the simplest of microbes.  It was technically a moon, not a planet, orbiting a gas giant that shared the same sun as Damaris.  Sullivan had not gone far.  It was clear he wanted to keep close to Damaris for some reason.  Harvey didn’t much care why.
     As Harvey’s ship dipped below the cloud layer and the forbidding surface came into view, a notice popped up on the screen in front of him.  The freighter’s ID signal had been detected.  Sullivan was still here, or at least the ship was.
     Harvey programmed the ship to touch down near the freighter.  “Alright,” he said, turning to Ross.  “You ready for this?”
     Ross, in response, tapped the firearm at his side and smiled.
     “Good.”  Harvey checked his own gear.  “But if we’re lucky, he’ll already be dead.  It would mean no bounty, but I have a bad feeling about this one.”

     Rebreathers weren’t absolutely necessary on Trenton but Harvey and Ross wore them anyway.  Keeping clean air in their lungs would help them if they had to confront Sullivan.
     They touched down in a landing zone next to the freighter.  This part of the complex had been one of the industrial sections.  Massive warehouses lined the streets in each direction.  This was where the minerals extracted from the ore had been transferred to ships for transport off-world.
Ross scanned the freighter and the area around it.  There were no life signs.  Cautiously, he and Ross exited their ship.  A lack of life signs didn’t necessarily mean anything; bioshrouds were technically illegal but Sullivan could have easily picked one up on Damaris.  That planet wasn’t a member of the Stellar Assembly and the legality or illegality of devices like bioshrouds didn’t concern them too terribly.
     Harvey approached the stolen freighter, gun drawn.  The number written across the side of the hull in white matched the number Harvey had on record.  This was definitely Oscar Jones’s ship.  Harvey knew Jones had been the man who’d smuggled Sullivan off of Earth after Sullivan had killed the assemblymen.  Why Sullivan would, almost a year later, track down and kill Jones wasn’t known.  Harvey didn’t much care about that either.  The death of Jones only meant that Harvey’s bounty would be bigger.  The Stellar Assembly paid good money for multiple murderers.
     After searching the freighter, Harvey and Ross entered one of the warehouses.  There was nothing in it.  A search of several of the other structures revealed those to be empty as well.  The mining company had kept men on the ground long enough after the disaster to make sure all the equipment was loaded onto ships and taken off-world.
Harvey took out his tablet and studied a map of the mining complex.  If Sullivan was still alive he’d be in the residential zone.  Despite the company’s removal of all their equipment, Trenton had been abandoned hastily after the accident.  There would probably still be a fair amount of canned and dehydrated food left in the miners’ apartments.

     Slowly, deliberately, Harvey and Ross made their way to the residential zone.  Harvey studied his bioscanner carefully every few meters.  Even if Sullivan did have a bioshroud they didn’t always function perfectly.  Contraband items weren’t necessarily manufactured to exacting standards and all Harvey needed was a temporary glitch for Sullivan to register as a blip on the scanner.
     Ross didn’t need any such gadgets.  He’d been Harvey’s right-hand man for six years and the bounty hunter’s ability to sense his prey was uncanny.  Harvey could count a dozen perps that would have gotten away if Ross hadn’t been with him.  There were two or three more that would have taken Harvey’s life if Ross hadn’t been watching his back.
     So when Ross held up a fist as they entered the residential zone, Harvey halted.  He followed as Ross silently padded up to the side of an apartment building and ducked into the building’s entryway.
     Harvey lifted his rebreather from his nose and mouth.  “What is it?”
     “This building.  I saw movement in a fourth floor window.”
     Harvey looked through the glass doors of the apartment building.  Aside from a thick layer of dust, the lobby looked as it might have when the miners and their families had lived here.  But the dust revealed that someone had been here more recently than that.  A trail of footprints led from the doorway to what Harvey assumed was the stairwell.  The elevator wouldn’t be operational, of course.  There was no power in the city.
Harvey scanned the lobby.  “Alright,” he said.  “I’ll go around and find a back exit and make sure there’s not another way up.  You watch the main stairwell from here.  I’ll let you know if I find a way inside.  If I do, take a position just to the side of the stairwell door.  If I don’t, I’ll meet you back here.”
     Ross nodded and drew his gun.  Harvey hugged the side of the building as he made his way around it, watching the windows above him.  He arrived at the rear of the building and found the emergency exit.  He pulled at the handle.  Locked.  He continued on around the building to make sure there were no other doors.  He rounded back to the main street, took another glance at the windows above him and made his way back to the front entrance.
     Ross wasn’t there.  Harvey peered into the lobby.  There was no sign of his partner.  Harvey hadn’t signaled, so Ross should have stayed put.  No, Ross would have stayed put.  The only thing that would have moved Ross from his position would have been Sullivan.  Sullivan must have come down the stairs; Ross must have seen him and taken chase.
     Harvey drew his gun and opened the door to the lobby.  Once inside he could more clearly see Ross’s boot prints in the dust leading toward the stairwell.  Harvey traced those steps and peered through the small square window of the stairwell door.  All clear.  He pulled open the door and winced as the hinges creaked.  He opened it just enough to slip through then held it so it closed quietly behind him.
     A central shaft ran down the stairwell.  Looking up it he could see the top floor ten, maybe twelve, stories up.  He watched carefully for any movement on the stairs before cautiously making his way up.
     Ross had to be in the stairwell.  He would have followed Sullivan until he exited onto one of the floors.  Ross would have then waited for Harvey in the stairwell before pursuing Sullivan further.
     Harvey worked his way up the stairwell.  When he reached the halfway point between the ninth and tenth floors he then knew that Ross wasn’t in the stairwell.  For some reason he had pursued Sullivan into one of the dark corridors alone.
     The fourth floor.  That’s where Ross had seen the movement, so that’s where Harvey would look for Ross.  He thought about radioing his partner but decided against it.  If Ross was close to Sullivan, Harvey didn’t want to give away his position.  Worse, if Sullivan had gotten ahold of Ross’s earpiece… no.  That wasn’t possible.  Sullivan, from what Harvey had read, was good.  But Ross was better.
     Harvey inched opened the door to the fourth floor.  Thankfully, this one didn’t squeak.  The corridor was almost completely dark, illuminated only by the light coming in through two or three open doors.  Harvey came to the first open door and peered inside.  It was a small but comfortable apartment.  A love seat sat facing a holographic projector.  To the right a kitchenette looked out over a counter into the living room.
     Harvey cleared the living room then approached the open door of the bedroom.  As he peered in he heard a faint noise behind him.  He made a quarter of a turn but before he could fully bring himself around something struck the back of his head.  Harvey reeled from the blow and landed hard against the wall.  He used his momentum to push back against the wall as he landed and flung himself at his attacker.  It was too dark for him to see the man clearly but there was only one person it could be:  Richard Sullivan.
     Harvey barreled into Sullivan with his shoulder, knocking the gun from his hand.  He used his weight to try and land hard on Sullivan as he fell but Sullivan managed to roll away.  Harvey’s knee struck the floor, sending a bolt of agony through his leg.
     As Harvey was temporarily incapacitated by the pain, Sullivan retrieved his gun and pistol-whipped Harvey across the side of the head.  Harvey went down.  He struggled to maintain consciousness but lost.  The dim light in the apartment faded even further and then all was black.

---

I hope you enjoyed this preview of Sullivan's War: Book II - A City without Walls. Please follow these links to purchase the books in the Sullivan's War series.

Sullivan's War: Prologue - Sergeant Riley's Account This stand-alone novella doesn't directly involve the Sullivan's War story line but it is a great introduction to Rick Sullivan's universe.